First off, your equipment is not junk. The software may be a little dated, but it's still very much relevant to the trade. I'm running Omega 6, and it essentially does the same thing as your Omega 4 when it comes to vector creation and cutting. Stay the course.
I'm also a stone engraver and I run a GS15 Plus. I've cut a lot of rubber over the past 18 years, and there should be absolutely no reason to have to double cut anything....period. And, it should be extremely easy to weed. Slow down your speed....especially with Hartco material. They add PVC to their rubber and it doesn't cut like "real" rubber.
Based on your photos, I'm willing to bet good money that I understand your problem. It appears the stencil is getting hung up on the cam bar as the material cycles back through the plotter (the cam bar is the shaft that "reciprocates" to raise and lower the knife).
This is usually because there isn't sufficient powder on the rubber stencil. Always unroll your material on a table and wipe well with a coarse terry cloth rag (BEFORE you load the material into your plotter). You need to make sure there are no glossy or tacky areas. If it needs a little extra powder, use unscented cornstarch baby powder. Regular corn starch will work also...it's just a little tough to sprinkle out of a box. ALSO: make sure to clean off any adhesive residue on the cam bar, and on the top deck of the machine, both front and back (the black surfaces). Adhesive residue will cause the material to grab.
Now, with that said, DO NOT powder it like you're powdering a baby's bum. Your only goal here is to eliminate the tackiness of the material. Done correctly, you should NEVER be getting powder on the plotter. In my opinion, Gerber should have really made the cam bar with a roller sleeve so that it allows the material to pass through without friction, but that's for another discussion.
(Side Note: On second thought, I don't believe Hartco material comes with any powder on their stencil material. When you use powder, make sure to wipe it off after plotting using a damp cloth, and dry it well BEFORE weeding. It MUST be wiped off for the transfer tape to adhere).
Even with a rough drum like you show, you should still get fairly good results because of the heavy backer used in monument stencil.
Important: Do you see drag marks from the knife blade across the stencil? This is another easily solved issue, let me know.
With all that said, I use ACAD along with SignLab and Gerber Omega, Illy and Corel. They don't always work well with other, so try to do as much as possible in your cutting program.
I also tile big jobs, and sometimes I need to cut across an image or make extremely unusual shaped pieces to tile together. This is where AutoCAD really shines.
For the tiled project shown below, the layout was done in Omega. I used AutoCAD to do the tile borders, and for the vector work around where the lettering intersects the tree trunk. This design wasn't majorly complex, since some of our tiles tend to resemble funky jigsaw puzzle pieces.
I normally use Anchor 116 material, but this was done during the time they were literally under water a few years back, and only 3M was available. My, how the tables have turned.
The recessed panel in this stone was entirely hand worked using only an angle grinder and chisels.
JB
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This is before it was cleaned up....there's still a little adhesive residue left on the stone.
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