Which word didn't you understand? The statement is inarguable. What comes out of the printer is not what you hope will come out of the printer, not what you wish would come out of the printer, not what you beseech whatever gods to which you pray to make come out of the printer. What comes out of the printer is the truth. Given the inputs that you gave it, what rolls out the front is what you get. It's mind boggling that a specimen even as dull as you give every indication of being cannot comprehend this simple principle.
The statement is merely a corollary to the first axiom of software, that being "The code is the truth." Meaning that the code is not going do what you hope it will do, what you wish it would do, what you get down on your knees and pray to your gods it will do. It will do exactly what's written, no more no less.[/quote
Now, as you describe it here, then the simple saying that ‘what comes out of the printer is the truth’ is at least accurate as far as it goes. But so what?
It’s as self-evident as it is pointless.
…comprehension of the principle that what comes out of the printer is the truth…
In that context, just what is there to “comprehend.” ‘The printer just printed this, therefore it’s the truth!’
So? You brought that down from the mountaintop?
Let me explain where you’ve gone wrong:
By your analogy, in this industry,
profiles are "The Code".
Get that?
See, I would define “truth” as an immutable, unchangeable constant. So “what comes out of the printer is the truth” would mean that what comes out of the printer is an immutable, unchangeable constant.
But it’s not. It is infinitely changeable. Changing it is what I do for a living.
So, by your analogy,
what I do is write code. And then as well by your analogy, what I write, profiles — printing code — that is the truth. What the printer prints is changeable with the profiles.
Simple. See?
So I don’t have to hope or wish or beseech any gods. And the truth that comes out of that printer is because of the profiles I write. And if I don’t like that ‘truth’ I’ll just alter the profiles until I do.
And these profiles are absolutely what tells that printer how to print. They control every single function. They tell the printer how to create the printing dots. They control ink splits, multi-dot generation, linearization, multi-channel ink limits, characterization and black generation.
And controlling each of these functions can have a great impact on the final result a printer prints, whether you’d like to believe that or not.
Just for instance: Maybe a machine is producing full gamut for a particular media, but the prints are grainy in the highlights to three-quarter tones; adjusting the ink splits can fix that.
Maybe a machine is reaching its full gamut capability, but the ink is coalescing and solids look like crap. Adjusting when the larger dots come in can fix that.
The correlation between single-channel ink limits and multi-channel ink limits has a direct impact on any printer’s ability both to print vibrant two-color primaries, and rich 3 and four color blends as well. And there is no right or wrong one-size-fits-all answer.
Now, maybe what you think is that all of this his in reality done by some high-tech wizardry in some lab-o-ra-tory deep in the bowels of HP or Roland or EFI or wherever, and that it’s a hands-off all techno process. Or maybe you think that how a printer prints is written into it before it ships and it is unchangeable.
If you do, you’re wrong.
Every time you print with your printer, you’re using a profile that was written by someone. An individual. And every printing parameter had to be set by some individual as well. And all of those parameters are infinitely variable, and every one of them determines your final print.
I look at...
A decent CMYK machine and comprehension of the principle that what comes out of the printer is the truth will serve 99.9% of those doing this sort of printing.
…and what I see is a statement that says whatever the printer prints cannot be improved. If that’s not what it says, remembering that my business is writing the code that tells the printer how to print, tell me where I’m mistaken.
But if that statement does mean what it says, then that attitude would lead a devout believer no choice but to either sell that “truth” to every client that walks in the door, with no hope of making it any better, or to attempt to alter the input — printing jobs — to get them to match the “truth” of the printer.
No doubt there are people who make money doing either or both of these things, but they’re making their lives much, much more difficult than they need be, and every single client they have is low-hanging fruit for a competitor who knows better.
And I’ll just add in closing that while you also think “a decent CMYK machine” is fine, I cannot tell you the number of times I’ve had to explain to people why they can’t hit Pantone 021, or Home Depot Orange, or AT&T Orange, or KTM Orange, with a CMYK machine.
Or why with an eco-solvent single-black machine they get greys that are so susceptible to hue shift unless I bring the black in so early as to be too grainy.
I also can’t tell you how much work-a-day sign shops who have Seiko H2’s love them because they have triple black. Not because they really care about triple black, but because of the greys they can achieve.
Bottom line is that all these things matter to a lot of people. If they don’t matter to you, that’s fine.
But I’d say that’s your — and your client’s — loss.