Hi all:
I am in the process of trying to reprofile some of my papers under Onyx ProductionHouse (PR) 12. I want to make sure that i get this as close to right as possible. So far, my search is not going well regarding where certain things need to be set (or not set) in the various stages of build up the profile.
The printer I am using here is an HP Designjet Z2100 - a 44" aqueous printer with 8 ink channels. The Z2100 has the built-in photospectrometer.
The biggest problem I have is that it looks like the ink is coming out quite heavy - it takes quite a while (even on "instant dry" media) for the ink to be touch-safe. I also have to often pull the heads out and clean the contact pads from excessive ink. I have noticed that if I leave the settings alone, then the profiling print generally ends up with so much ink that the samples smear during the sampling stage.
For a specific example, in the Ink Restriction dialog, is there a target ink volume, spectral density or even just plain-ole density that I should shoot for in adjusting these after the swatch is read in? I get the whole idea about adjusting the clipping levels on each of the channels - that one was fairly easy to grasp.
Calibration is pretty straight forward so no problems there.
Ink limiting - that one is looking more like a black-art than anything really scientific. Are there any tips or tricks that one should use when trying to figure out where to set the ink limits (for example, look for first block that shows signs of puddling and go back x number of blocks for your level)?
Profiling is also pretty straight forward - though I do wonder if there is any value to use randomized sample placement as opposed to the linear placement.
Thank you everyone for your help here!
Ron Gage
Westland, Michigan
I am in the process of trying to reprofile some of my papers under Onyx ProductionHouse (PR) 12. I want to make sure that i get this as close to right as possible. So far, my search is not going well regarding where certain things need to be set (or not set) in the various stages of build up the profile.
The printer I am using here is an HP Designjet Z2100 - a 44" aqueous printer with 8 ink channels. The Z2100 has the built-in photospectrometer.
The biggest problem I have is that it looks like the ink is coming out quite heavy - it takes quite a while (even on "instant dry" media) for the ink to be touch-safe. I also have to often pull the heads out and clean the contact pads from excessive ink. I have noticed that if I leave the settings alone, then the profiling print generally ends up with so much ink that the samples smear during the sampling stage.
For a specific example, in the Ink Restriction dialog, is there a target ink volume, spectral density or even just plain-ole density that I should shoot for in adjusting these after the swatch is read in? I get the whole idea about adjusting the clipping levels on each of the channels - that one was fairly easy to grasp.
Calibration is pretty straight forward so no problems there.
Ink limiting - that one is looking more like a black-art than anything really scientific. Are there any tips or tricks that one should use when trying to figure out where to set the ink limits (for example, look for first block that shows signs of puddling and go back x number of blocks for your level)?
Profiling is also pretty straight forward - though I do wonder if there is any value to use randomized sample placement as opposed to the linear placement.
Thank you everyone for your help here!
Ron Gage
Westland, Michigan