I came from the print industry, and as such had always used illustrator. Because of that flexi feels clunky and awful to me, so i'd never use it by choice. If you have experience with flexi (and you like it) it may be worth considering.
I've been using Onyx on 3 generations of HP Latex and there are a few idiosyncrasies with it, but nothing that isn't easily avoided with experience.
My favourite RIP software is Colorgate, and i would choose that over Onyx in a heartbeat, if it was available.
I came from the print industry, and as such had always used illustrator. Because of that flexi feels clunky and awful to me, so i'd never use it by choice. If you have experience with flexi (and you like it) it may be worth considering.
I see, which one is the one that cost 2k?
I see, which one is the one that cost 2k?
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We use Flexi 12 for our HP Latex and are very happy with the result.I want to know who here is using onyx or flexi on hp latex printers, particularly the 500 series. Why did you choose your rip and how do you like it so far? Also, scrolling down this rip section, I see alot of problems with onyx
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You won get the colour profiles close as you want then if you just do a print read next method. It's an art form as I've learnt the hard way.We use Flexi 12 for our HP Latex and are very happy with the result.
We used Caldera prior to that and could never get the color profiles as we would prefer
You say that You would choose Colorgate over Onyx easily and i wonder what kind of advantages Colorgate has from an experienced user point of view??
Try a 30 day working trial of SignLab Print and Cut (www.cadlink.com) then you can tell yourself what one you'd rather continue using.I want to know who here is using onyx or flexi on hp latex printers, particularly the 500 series. Why did you choose your rip and how do you like it so far? Also, scrolling down this rip section, I see alot of problems with onyx
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Sorry for not replying earlier.
Colorgates strength for me was it's fine tuning of colours. The jobs i've worked in using it required some very precise colour matching & manipulation, and colorgate had the most in-depth, reliable tools for this.
Onyx has many bugs and glitches and is lacking some of those "powerful" functions i used a lot in CG.
Also some pretty bad interface design. That said, I've been using it exclusively for the last few years and i'm quite used to the workarounds required, but colorgate felt like a more polished "finished" program. (it had it's fair share of silly glitches too, just nothing as maddening as onyx)
So I guess they're both good, with issues. For signage, onyx is fine, for high end art prints (which is what I used to do), i'd always choose CG.