Reprographics was my college, and I have got a good handle on the graphics and cadd side of things.
I've been a machine tech...talking to the president of Contex scanners in Devon Energy fixing their $60,000 scanners.
I worked on Oce's and HP's.
I have built a color management system for grand format dye sub department...with instruction from this very site.
I was told it couldn't be profiled and I brought back an old printer from the dead, that had sat for years, and built an incredible profile.
With the wizard.
Every day was like Christmas compared to what was pushing out of it before.
In the early 2000's I had a 60" hp...and a Xerox 6060, both with front ends.
I loved that shit, but left to learn cad.
Now I love cad. And dye sub.
Have a couple 100' x 4' double sided fabric banners coming up...along with a 100'x12' pole pocket.
The big stuff is why I love it. For E3 last year I printed 2 double sided 200' x 30' walls, and one 100' x 30' double sided wall.
All PMS 485C. Man! That art template I sent was 2800" or something...it was the inside wrap.
My prepress master counterpart laid out and we printed 100 126" x 380" prints!
Ever loaded a 126" x 400' roll of paper by yourself?
Loading it is how you succeed. Nail it down...and good to go.
I've mounted 10' x 5' glossy printers...I've done laminating, surface and encaps.
I've always found a way to meet or exceed the expectation of my customer.
No bitching. People have to renumber a friggin 30 page pdf and its an all afternoon affair.
Now I can draft about any shape in 3d and create templates, print art accurately color wise and size wise.
I saw the bottleneck between "graphics" guys and "cadd" guys in the mid 90's and learned both.
All because I wanted to know more than a kludge to get me through the next job.
And not using the practices my "educated" clientele paid for. I learned exactly what not to do.
There are no manuals for establishing process control in an uncontrolled environment.
I do all my own maintenance on my $250,000 dollar grand format inkjet and my $150,000 heat press.
People I know in other professions really have no idea what to say when I tell them that I am a printer.
But how do I explain what I really do.