After today's experimentation, I discovered a few things to add to my previous post here:
Mind you, this is all regarding printing a very rich RED. If I print this full sheet of red at 4 pass, bidirectional, on 720 I can make it all the way through without dropout. Of course it looks like crap because I have a couple nozzles out, but that is besides the point. If I print the same thing on 16 pass, bidirectional, 720 I dropout magenta anywhere from 12-20 inches into the bed. So here I am thinking that no extract gets me through without dropout, why not try 8 pass, unidirectional, 720 to relieve the nozzles being out and allow time for the ink to resupply on the returning pass. Guess what, drops out in roughly the exact same spot. This is totally bass-ackwards. I am at a loss. I cannot get a successful quality print off of this color.
I have experimented with negative pressure being sky high, but I feel like it is restricting the ink flow to the head and not allowing it to flow at the needed demand. With a bare minimum negative pressure, just barely keeping the ink in the heads has had the closest to best success, and allowing the ink to flow freely through the head.
Here was another observation:
If you refer to the attached photo, I managed to catch an entire pass of a left and a right pass of the red. What is up with the color difference in passes based off of pass direction?
So, could the negative pressure system have play in why I drop out with high ink demands, in particular magenta? Yesterday, as well as the last time I ran this job, I drop out about every 12 inches of rich red on a full 96 inch sheet. I jacked the negative pressure way up to 4.5 and it made it about 24 inches. That was with a 3 extract. I have struggled with figuring out why the FK512x drops out all the time.
Please help...
If you look into some of my previous posts, I have modified the negative pressure manifold to have high quality metal piston valves, I have capped one of the two inlet/outlets that go into the heads from the secondary's, eliminating the bleed tubes. I have also replaced all of the crappy plastic tube fittings with stainless ones and Teflon taped anything that could be taped. I basically have done everything possible to eliminate air from entering the system, it is completely sealed. I have had a fairly stable system until I have high ink demand. It is almost like the ink cannot keep a steady flow to the heads, especially quickly enough.
A couple other observations I have made are that I notice the negative pressure slowly increases throughout the day, even when I come in the morning and fire it up, it will be higher then I left it. Also, when I open a valve on the manifold and attempt to manually purge, the pressure cannot push ink through the heads unless I drop the negative pressure to the point where it would drop anyways. That pump has been replaced, no difference. Many parts and filters have all been replaced and I have seen zero improvement with these faults.
Ideas???
Mind you, this is all regarding printing a very rich RED. If I print this full sheet of red at 4 pass, bidirectional, on 720 I can make it all the way through without dropout. Of course it looks like crap because I have a couple nozzles out, but that is besides the point. If I print the same thing on 16 pass, bidirectional, 720 I dropout magenta anywhere from 12-20 inches into the bed. So here I am thinking that no extract gets me through without dropout, why not try 8 pass, unidirectional, 720 to relieve the nozzles being out and allow time for the ink to resupply on the returning pass. Guess what, drops out in roughly the exact same spot. This is totally bass-ackwards. I am at a loss. I cannot get a successful quality print off of this color.
I have experimented with negative pressure being sky high, but I feel like it is restricting the ink flow to the head and not allowing it to flow at the needed demand. With a bare minimum negative pressure, just barely keeping the ink in the heads has had the closest to best success, and allowing the ink to flow freely through the head.
Here was another observation:
If you refer to the attached photo, I managed to catch an entire pass of a left and a right pass of the red. What is up with the color difference in passes based off of pass direction?