iPrintStuff
Prints stuff
So we’ve had a Colorado 1640 for about 2 years and are looking to add the 1650 alongside it.
For the most part, most jobs have been run on the high quality setting as it still uses the auto nozzle optimisation and the AAC marks. Needs very little user intervention and I can just wander off and not have to worry.
I’ve always felt we don’t make the use of the speed(s) available to us and with the 1650 I’ll have a plethora of new profiles to make. Wondering what you all actually use in the real world for the 1640 and 50?
The only things we tend to run on production are posters and health and safety signage, I don’t think I’ve ever been happy sending a customer something that’s been printed on high/max speed on the 1640 BUT I’ve seen for the 1650 they added an option that’s just “speed”. Hoping that’s a nice middle man between the gamut available at production but the speed of high/max speed.
Any advice on what profiles to start at would be great. I take it the output for the gloss on the 1640 is the same as the 1650? So in theory, to start off we’ll only need to make matt profiles for the 1650 and run any gloss prints on the 1640?
For the most part, most jobs have been run on the high quality setting as it still uses the auto nozzle optimisation and the AAC marks. Needs very little user intervention and I can just wander off and not have to worry.
I’ve always felt we don’t make the use of the speed(s) available to us and with the 1650 I’ll have a plethora of new profiles to make. Wondering what you all actually use in the real world for the 1640 and 50?
The only things we tend to run on production are posters and health and safety signage, I don’t think I’ve ever been happy sending a customer something that’s been printed on high/max speed on the 1640 BUT I’ve seen for the 1650 they added an option that’s just “speed”. Hoping that’s a nice middle man between the gamut available at production but the speed of high/max speed.
Any advice on what profiles to start at would be great. I take it the output for the gloss on the 1640 is the same as the 1650? So in theory, to start off we’ll only need to make matt profiles for the 1650 and run any gloss prints on the 1640?