Gino
Premium Subscriber
Back in 1984, when I was the only guy in town to have a Gerber digitizing tablet, I was handed a thermographed business card and asked to reproduce the Jillsander logo for the front window of a new store going in on Worth Avenue in Palm Beach. I had it blown up and proceeded to do the job and was paid. Six months later, Mr. Jillsander's limo pulled up in front of the store for the first time. As his foot hit the sidewalk the first words out of his mouth were "Dat is not my logo".
Good eye on his part. Actually, you weren't given exact artwork, so you couldn't produce. You got paid a second time, so it must've been recognized it wasn't your fault.
It turned out I got it about 5% too bold due to starting with a thermographed image. We were supplied with proper artwork and redid the job along with getting paid again.
On another occasion, I was installing test readings on a dentist's front window and at the point of squaring up the masked readings. From about 30 feet away the dentist asked me to correct the slanted reading as it was too low on one side. I explained that his eye was being fooled by the fact that there readings were masked. He insisted I recheck it and, sure enough, it was .125" off on one side.
It's never a good idea to mess with someone whose main goal in life is 100% symmetry.
I no longer assume that there are shortcuts I can take that the client will never notice.
In this case, it is an artist's rendering to begin with. Anyone is going to have to take some poetic license regardless of how they re-produce it. I can see it with the image supplied already. Windows are uneven and things don't match at all.
The circles kinda represent an area focused on at a single time in hours. I could be off by minutes or an hour or two total, but not a day or two. In most cases, most of the elements produced in the beginning will aid in other areas and there will be less and less to do for each section. Last would be all the connecting lines and crap that really isn't necessary.