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Best protection for ACM outdoor signs?

Ldireprophil

New Member
I'd like to know how others prefer to protect the ACM signs they make for long term outdoor use. We all know how easily UV ink printed directly onto an ACM sheet can scratch. Carefully moving a 4x8 sheet off your flatbed output table to another area where you are going to liquid laminate can cause scratches as well as moving it to, and through, a roll laminator. So the question is, do you prefer to print the sign graphics on vinyl then laminate and apply to the raw ACM sheet, or do you prefer to direct UV print and then film or liquid laminate?
 

Ldireprophil

New Member
Print onto 3m ij35c, laminate with arlon 3420, cut print 1-2" over sized, cut squares out of corners, wrap material all the way around to the back. I would love to direct print, but only have a hp 560.
I run my vinyl on a 365 and laminate on a 63" GFP363TH. I really think printing the vinyl/laminating/applying to the raw ACM is the way to go. I have a Summa F1612 so I can cut the ACM to the exact size I need. First, the quality of the latex printed vinyl looks much better than the direct UV print, and laminating vinyl is easier than running a flat board through or liquid laminating I think. Just looking for other opinions, thanks!
 

eahicks

Magna Cum Laude - School of Hard Knocks
Print onto 3m ij35c, laminate with arlon 3420, cut print 1-2" over sized, cut squares out of corners, wrap material all the way around to the back. I would love to direct print, but only have a hp 560.
We print and overlay on ACM all the time. We don't wrap the edges though. We don't have any issues with lifting on them.
 

Bly

New Member
We do a lot of direct print, laminate with Ritrama anti graffiti lam.
No issues. These things go on railway overpass bridges all over and last well enough.
 

Boudica

Back to "educational purposes"
We simply direct print HP FB560 - no lam. Let it cure for a good 24hrs before doing anything that might scratch it or sending it out the door. No complaints.
 

Ldireprophil

New Member
Have you profiled either of these printers?
Both were profiled by my dealer, Athens Paper at setup/install. I’ve had the latex for about 2 years, never an issue and always consistent colors. I’ve had the FB550 for about 6 months, but it’s not as reliable in regards to color consistency/matching.
 

Christian @ 2CT Media

Active Member
Both were profiled by my dealer, Athens Paper at setup/install. I’ve had the latex for about 2 years, never an issue and always consistent colors. I’ve had the FB550 for about 6 months, but it’s not as reliable in regards to color consistency/matching.
They are not profiled well if you are getting that far off of color. You should be able to reasonably match outputs between both machines (we had a FB750 and 570s and could match almost all of our prints).
 

Ldireprophil

New Member
They are not profiled well if you are getting that far off of color. You should be able to reasonably match outputs between both machines (we had a FB750 and 570s and could match almost all of our prints).
Sounds like you are familiar with the process. Are you able to give a brief overview of the process of profiling so others not familiar with the these steps get steering in the right direction on how that’s done? Thanks in advance!
 

Christian @ 2CT Media

Active Member
Sounds like you are familiar with the process. Are you able to give a brief overview of the process of profiling so others not familiar with the these steps get steering in the right direction on how that’s done? Thanks in advance!
What Rip do you use? Do you have an i1 Spectro or equivalent?
 

Ldireprophil

New Member
What Rip do you use? Do you have an i1 Spectro or equivalent?
I currently use SAI Flexi 19. Onyx would be my next upgrade but if I remember it’s around $5k +? No I don’t have a spectrophotometer, maybe it’s time to get one and learn how to use it.
 

Christian @ 2CT Media

Active Member
I dont know the specific process in Flexi, but there should be a walkthrough method using an external spectro that you can simply set ink limits, thresholds, and densities all with simple clicks... Or you can get more in depth with your own mapping. But, using the standard simple method for both machines will allow your software to define the media white point and set a gamut limit so your colors match alot closer than you have.

I am not an expert to be able to do a full write up like some on here but, you should get in to color management so you can accurately output color across multiple machines and technologies.
 

greysquirrel

New Member
Can't say that I am a fan of Flexi for color. They were a rip to cut vinyl, then design, now printing....I understand why people like it, just not a fanboy after installing a servicing equipment in the past...you need to buy an iOne to relinearize the FB500...every passcode you intend to use. Out of the box the reds are washed out. I think Athens Paper needs more training, a new device to read color or at least a clue...they don't match. You should be able to get in the same ballpark between these two platforms.
 

Gino

Premium Subscriber
Color matching is something for the smart people. My input has to do with the original question.

How long do you consider a long-term sign to last ??
For us, between flatbed printed or printed vinyl..... I don't consider either method a long term outdoor consideration. With a laminated print, at best, you might get 5 or 6 years.... and that's all based upon which way the sign is facing and the colors being used. If you want closer to 10 years, you're gonna hafta use 10 year die-cut vinyl or just be upfront with the customer and tell them their sign won't weather more than a few years. Otherwise, a carved, routed or sandblasted sign in various substrates might last 20 years as long as you go back periodically and give it a facelift.

edit: I must confess, that we have some flatbed signs out for 10 years and still look really good and some out 2 maybe 3 years and just about gone. It all has to do with the direction and the colors.​
 
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