WildWestDesigns said:
I don't know, maybe it's because I'm of the Cusper or Oregon Trail generation and our line of thinking is wonky (re: stupid). If I know I'm doing something wrong (not that I may or may not agree with the fact that it is in the wrong), but I personally don't like the reflection that it says of me as a professional. But that's just me.
My friend, I think what you're talking about is
ETHICS.
Personally, I'm a big fan of ethics. Being
ethical is when,
while no one is watching, you have the free and clear opportunity to do something that is fundamentally wrong and get away with it. But you still choose to do the right thing anyway.
I know deep down that my mother has a good heart. She loves her dogs, cats, horses and that stuff. That's one example of having a good heart. Another is one of many good lessons I received growing up. Here's one that happened when I was 14 years old: my family was living in Gretna, LA then. My brother and I had been playing a coin-op Tempest game in the front entry area of a Woolworths store while our mother shopped. Our quarters ran out so we went out in the parking lot towards the family vehicle to wait. We found a wallet with money in it along the way. Well, hell, we could have played a lot of Tempest and Centipede with the cash inside. We showed Mom what we found and she immediately made us turn the wallet in to the store's lost and found, including all the cash it contained. We were upset our mother didn't let us keep all that money.
Finders keepers, right? But it didn't take long for us appreciate what she did. Our mother demonstrated to us what integrity really means.
ikarasu said:
I guess I'm just used to how it's treated in Canada. We're not Sue happy over here like American companies are - The max fine over here, for non commercial uses... IE you don't proffit on it, is a $5000 fine. Thats not even per infringement like in USA.
Here's my take on it. Many of the participants in this forum consider themselves to be creative on a professional, paid-level basis. Why not use those abilities to create some new characters to incorporate into a banner (or mural, nursery wall, etc)? Why does the banner have to use some other commercial company's copyrighted or trademarked $#!+?
What we're talking about here is a very long way from drawing a Van Halen "VH" logo on a high school class notebook binder from way back when.
That's "fan art." But that seems to be the model being applied to make it okay for a commercial sign company to infringe on IP from other companies.
Whether the customer pays for the banner or it is "donated" the sign shop is still using its premises and commercial capabilities to do the work. That's a big problem on its own. And, as previously stated, it doesn't even take that to draw legal ire from multi-national media corporations like Disney or other businesses with popular trademarks (like Coca-Cola or Harley Davidson). Hand paint Mickey Mouse on the outside of your tool shed in your own back yard and you could get calls from Disney attorneys to cease and desist. It's best to stay away from banner jobs like what the OP mentioned to be on the safe side.
Besides that, as CanuckSigns (in Ontario) said earlier:
CanuckSigns said:
It's not worth the money, even if you don't get caught. These types of clients are the ones who will waste your time and demand 30 free revisions on their $45 banner.
On to the next thing:
ikarasu said:
Copyright is getting stupid. My kid just had school photos taken again - I purchased a package and the digital CD so I can blow up and make my own stuff, however it comes with a big notice saying I'm not allowed to re-produce the images I just paid for... of my own kid, because they own the copyright. It's a good thing I paid $25 for the digital version - I mean, I guess technically if I put that photo I purchased into my scanner and scanned it I'd technically be breaking copyright law again... so the $25 just allows me to view it on my PC.
Perhaps you don't understand the business model of professional photographers. Now, I don't necessarily agree with the student pictures racket. Honestly, what difference does it make to those guys if you have copies of the original digital files (even Camera RAW files)? The images are worth little if anything to them after that event. Nevertheless, studio photographers make a lot of their money after the photos are taken, re-touching photos, creating inter-active albums and all sorts of other value-added stuff. Pro-quality camera and lighting gear is still really expensive -especially some of the niche stuff (large format digital cameras with leaf-shutter lenses and strobing systems able to sync flash at 1/2000 sec to control ambient daylight outdoors).
There's no shortage of idiots out there who think they're on a professional photographer's level just because they own the latest iPhone. Seriously. With that being said, if someone doesn't like the terms offered by an event photographer he is certainly free to go buy his own camera bodies, lenses, tripods, lights, etc and
DIY.
ikarasu said:
If a customer pays me $30-50 an hour to create some artwork for them... I feel like it's their artwork, and they can run to the next sign shop to get it printed if they like. They paid me to produce it... I was their "Contractor" and I know technically It doesn't work that way... But it's just an example to show it works both ways.
There is nothing "feels like" about it. It's usually best to get terms established in writing. Having some verbal understanding about things is only a good way to get screwed. It's pretty common for sign companies to provide digital files of logos (created from scratch or vectorized from other crummy sources) after the customer has at least purchased something. If I'm working on a freelance basis, I'm going to have some kind of contract put together to ensure I get paid for my work. From the perspective of a sign company, yeah, I can provide the client with digital files. But I don't necessarily have to provide the client with files some cut-rate bottom feeder rival is going to be able to use successfully.
ikarasu said:
It's not just morals, but also cultures. In Canada... Something like this isn't as big of an issue, so long as you don't proffit off of it. Then you have countries like China... Where they don't give a crap about IP at all from foreign countries. Who's right?
Um, definitely NOT CHINA! What kind of rationale are you trying to sell here? And this "well, I'm not profiting of it angle" is really a non-starter. No one here is going to be doing their work for free.
ikarasu said:
Of course Disney doesn't want you to use a picture of iron man on a banner unless they get a piece of the pie somehow...
Again, no. In the case of Disney/Marvel, they don't even want you working on a sign project involving Iron Man unless they themselves commissioned you do it. That's really the key thing right there.
Sign companies reproduce registered trademarks all the time. But 99.9% of the time the people who are asking us to do so are within legal bounds to request it. But, still, when it's a pretty big brand we still have to follow their brand guidelines. Use the right amount of white space around the logo, the approved colors, etc. Often the higher ups have to see a sketch to sign off their approval before writing a check to the franchise owner to subsidize the sign work.