learning curve though for figuring out what sort of backings to use for what fabrics, machine quirks, hooping, what threads work best (rayon looks nice and is what many will suggest but not nearly as durable or colorfast as polyester),
I actually prefer to work with Poly. Also, you can sublimate with it as well if you use the lighter colors. Gives an embroidered look without the complex design.
I'm not a fan of the Sulky line at all. They make decent stabilizer, but don't have much luck with them.
Also metallic threads. Need to stitch those at a slower rate then normal threads. Whatever gives it that metallic affect plays hell with the machine if stitched at the normal SPM.
Sightline said:
artwork issues that might cause problems such as too many colors, some gradients, tiny elements/text. More to learn than you might think...
Speaking of gradients. I actually did a shirt order for a user on here for his own shirts and it had a gradient effect in it.
Small text, double stroke text (for some reason there seems to have been a fade with that) can give embroidery a run for it's money. Then if you add small with script etc. I can go on all day. It is not easy going from sketch to stitch.
I did do a little intro in the premium section about setting up artwork for embroidery. Not everything translates and it takes time to be able to see where the trouble spots are going to be. I know for some it urks y'all to have something needing to be re done design wise for embroidery, but from a production standpoint it needs to happen on occasion. Mapping also plays a part as well. The logical order of stitching, how to minimize trims etc.
I can go on all day about digitizing. Like I said, it's the one portion I really enjoy about embroidery. To me it's a game to figure out how to make the design work and look good.
Sightline said:
Also lots of things to start stocking like different types/thicknesses of backings, lot of different thread colors,
Don't forget puff either. I seem to keep a good collection of that around.
Sightline said:
then the extras come in like hoops,
When the trade show comes to town this summer I'll be looking at getting more of those as well. Hoops can be an expensive addiction. You have the standard hoops, magnetic hoops, tension hoops etc.
My latest little addition was a few full "wrap around" hat hoops. 60mm x 360mm (2 3/8" x 14") total area. Basically ear to ear.
Sightline said:
spare bobbin case, tension guage, lots of bobbins (I've come to like the pre-wound magnetic ones),
Same here. But don't forget the black ones as well (and black stabilizer varieties come to think about it). Also it helps to wind your own if you need specialty colors.
Sightline said:
scissors (the ones in your kitchen are not going to work well), oil, etc. Oh and hooping is amazingly tedious and un-fun.
But can screw up a perfect design if it isn't done correctly.