BobM
New Member
From as early as I can remember, perhaps 8 years old, I watched and listened to the most talented sign painter I have ever seen. Eddie McLoud was an old time sign writer who used a string, chalk, an old wooden yard stick, a collection of tuna fish cans, old magazines, dozens of One Shot cans, Japan drier, gasoline, a pounce wheel and just plain talent to letter truck bodies and bookmobiles my family manufactured.
I spent endless hours asking him how and why he did everything. How do you layout, center, balance, kern (a word I didn't know then), color, shading, thin paint, thicken paint, speed it up, slow it down and every other question I could think of.
As patiently as he painted, he answered questions much like a college professor would. I don't think I fully understood how much he taught me until I started doing signs and layouts and reading critiques on Signs 101.
I don't know if I have any "artistic" ability, but I don't often make some of the common layout mistakes I see so I guess I learned and I know I'm still learning.
I spent endless hours asking him how and why he did everything. How do you layout, center, balance, kern (a word I didn't know then), color, shading, thin paint, thicken paint, speed it up, slow it down and every other question I could think of.
As patiently as he painted, he answered questions much like a college professor would. I don't think I fully understood how much he taught me until I started doing signs and layouts and reading critiques on Signs 101.
I don't know if I have any "artistic" ability, but I don't often make some of the common layout mistakes I see so I guess I learned and I know I'm still learning.