65/55/50/100...!? that is too much ink for offset. You guys never had a offset problem with that mix?Depends on your inks and which way they lean in hue/saturation.
My UV inks run to the warm side, so I tend to have a cyan lead - like 40C/30M/20Y/100K - keeps it from turning to charcoaly brown.
In offset - we used to use 65/55/50/100 - but that's a lot of ink.
You are right on the money!Remember - alot goes into particular brands of presses, inks, rollers and media, etc.... so its not a quick answer to say whats right or wrong - it was what gave us best result on an older 40" Heidelberg at the time with standard dots and film based plates. The advent of CTP technology probably negates that rich of a build now