Bravo, my friend. Bravo. Whenever my boss hires a new designer to work along with me, his main criteria for offering a position are one, do you know how to use CorelDRAW, and two, what is the lowest amount of money are you willing to work for. He doesn't understand that you get what you pay for and, as a result, has had over 15 "designers" that, in the last 10 years, crashed & burned miserably. He doesn't even request a portfolio as part of the hiring process - not that portfolios are foolproof as, one time years ago, I was reviewing a portfolio for my employer at that time who was looking to hire a jr. designer & the portfolio consisted of about 50% of work that I had designed when I worked w/ the potential new hire at a different company. I had one helluva laugh over that one. Needless to say, the clown wasn't offered the position.The most common design mistake made by people on this site is taking the advice of 90% of the people in this thread. Have you ever noticed that 90% of "graphic designers" absolutely SUCK at graphic design? Have you ever noticed that 95% of "old school hand painted set lead type" graphic designers were even worse? Yes, there are some absolutely astonishing old school craftsmen out there doing museum quality work...they aren't hanging out around here any more. I look at some of the responses in this post and they are absolutely ludicrous. "Don't kern". Have you lost your damn mind? Digital font creators, even those for exceptional foundaries (Charles Borges de Oliveira excluded) half *** the kerning of letters. Not tucking an A and a W together because "we didn't do that back when polio was still a thing" is ridiculous. And the discussion over Helvetica/Arial/Minion.....REALLY? With the THOUSANDS of better, more legible, better created fonts out there you're discussing bottom feeder free stuff? There was a time the cream of the crop was on here. Design critiques could be posted and a hand full of rock stars would steer you in the right direction, show you the way, guide you along and before you know it an amazing design would come out the other end complete with the knowledge of how to get there. Now....you'll get a bunch of people telling you to add in scripts, and drop shadows, and some sparkles to make it fancy and digitally print it on the cheapest material you can get and slap it on coro to make the most profit.....and at the same time you'll get the same number of people lying to you about how they charge 10 times that for it in their market and get it and drive their Ferrari's to the shop every day while fighting off the lingerie clad women at the door.
I now always make sure my pins for mounting are not inline with each other is at all possible. That way if we hit something inside the wall that we can't get through a bunch of pins don't hit that same obstruction.While not a design decision that's visible, it's still design... Putting 4 mounting holes, evenly spaced & in line, on letters like: O S M W
Ever see an upside down S that the installers didn't see?
These days I'm very habitual in my asymmetrical placement of mounting holes.
Sorry for the misinterpretation. I thought that was a bit of crud on my screen.Sorry, this didn't land like I intended. The tiny /s denotes sarcasm. This was like the dumb@ss customer complaining, but worse since its coming from the sign maker.
Sorry, this didn't land like I intended. The tiny /s denotes sarcasm. This was like the dumb@ss customer complaining, but worse since its coming from the sign maker.
She's still a good friend. My partner, Michelle, likes her a lot. But she doesn't work for free anymore.signbrad. I want to know about the "ex-girlfriend" (smiley face).