astro8
New Member
Yes bob, I do agree with your last comments. This is more like the response I expected from an experienced typesetter. I know the 'rules', but there are always exceptions.
I was going to rave on about negative space being just as or more important as positive space. How the trend today is to cramp everything up to the detriment of legibility. How the 'right' way to space lettering is to work out your pair with the largest negative space and adjust your overall spacing accordingly. Logos are exempt from this of course, as a logo is treated as a graphic, picture or symbol. How negative space helps illuminates positive space and all that, but I'm more interested in how yourself kerned metal letters. Were lead letters snipped off with sidecutters or similiar, or was it more involved than that? Were you supplied sets of letters in kerning pairs or was it left to you to decide if they needed, or were to be kerned? Did you work with brass letters as well, or was lead the norm?
I've seen sets of kerned metal letters where they looked like they were just hacked off with a hacksaw or snipped willy nilly rather than designed or cast that way. In a busy shop with a looming deadline I suppose anything goes.
My copy/paste was from Wikipedia, yes I should have included the attribute but it was way past 6pm (Sydney) and for all I knew I was living on borrowed time...
I was going to rave on about negative space being just as or more important as positive space. How the trend today is to cramp everything up to the detriment of legibility. How the 'right' way to space lettering is to work out your pair with the largest negative space and adjust your overall spacing accordingly. Logos are exempt from this of course, as a logo is treated as a graphic, picture or symbol. How negative space helps illuminates positive space and all that, but I'm more interested in how yourself kerned metal letters. Were lead letters snipped off with sidecutters or similiar, or was it more involved than that? Were you supplied sets of letters in kerning pairs or was it left to you to decide if they needed, or were to be kerned? Did you work with brass letters as well, or was lead the norm?
I've seen sets of kerned metal letters where they looked like they were just hacked off with a hacksaw or snipped willy nilly rather than designed or cast that way. In a busy shop with a looming deadline I suppose anything goes.
My copy/paste was from Wikipedia, yes I should have included the attribute but it was way past 6pm (Sydney) and for all I knew I was living on borrowed time...