...I just wish I could get some good advice like Marlene or like Isign has imputed for me before.
I am not Marlene or Isign, but I do have a critique. I suppose it is up to you to decide if it is "Good" critique or not.
Looking at the thumbnail, the first thing that jumps out is "Sign Shop" and that is not necessarily a bad thing, but the Williams seems disconnected from it. Part of the reason it seams disconnected is due to the light colors and thin strokes used. Script or Brush type faces are generally a little slow to read so it is probably not a good idea to outline and shadow them especially if they are thin stroked. The second thing I noticed was the opposing angles of Williams and the carrot...which is the third thing I noticed, it wasn't a carrot. :ROFLMAO:
I thought it was a carrot with a mohawk.
I thought exactly the same thing! No offense to John Deaton or anybody else, but a carrot is what I saw.
So that is the first thing I would do is lose the brush character.
My next suggestion would be to reverse the Script/Brush type faces with the Block type faces. Thirdly, I would provide a surface for the "Sign Shop" to rest on which will provide a nice solid contrast. Finally, design your work in black and white first, it it works, then you can add color.
a quick suggestion...