Stacey K said:
Is anyone able to open this in Photoshop and tell me if it's vector or A BITMAP? I'm pretty sure I'm not that stupid but can handle your opinion if I'm wrong. Thank you! I think this link should work from my OneDrive.
Just to double check something, I opened the PSD file you shared. Sure enough, it's nothing but a pixel-based image. And the graphic looks like it was pasted in from another source above the Background layer. The layer with the graphic is named "IMG_5152," which is a pretty odd name for a Photoshop layer.
Just to be sure, I clicked over from the Layers palette to the Paths palette to see if there was anything there. Nope. No vector paths.
The Vector Doctor said:
Actually you can do vector work in Photoshop. Not ideal but the pen tool in Photoshop produces vector lines. I use it all the time to knock out backgrounds and also have a contour path that can be exported as a true vector
I actually prefer the Pen tool in Photoshop to the Pen tool in Adobe Illustrator. It just seems more responsive. I love the combination of keyboard shortcuts to alter the path while it is being drawn combined with the shortcuts to zoom in/out and hand-pan across the view of the artwork. Illustrator's keyboard shortcuts work in a similar manner. But the relationship of the paths over the top of pixels just seems to draw out faster and more precise in Photoshop.
If I have some kind of hand-drawn sketch I've scanned or brought over from an iPad application I can work pretty fast with Photoshop's pen tool to manually vectorize it. But this approach is best on "organic" material, not anything with a lot of straight, technical looking paths. For more technical looking material, I'll defer to Illustrator.
In Adobe Illustrator I've drifted away from using the stock Pen tool to using Astute Graphics' InkScribe tool. That's a pen tool on steroids. It's perfect for a lot of technical work and has some nifty additional behaviors not found in the standard Pen tool. One example: the Alt key can be used to constrain the existing angle on smooth point direction handles without shifting it to a 45 or 90 degree angles. That can be really handy for things like type design. One can hover the InkScribe tool over any existing anchor points or direction handles on the path and alter them without using keyboard shortcuts. And then if keyboard shortcuts are needed the Astute Buddy palette will display them. It's pretty cool.