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  1. The power of RGB

    http://www.purveslab.net/seeforyourself/ More trippy stuff as it pertains to color and brightness perception.
  2. Why the limited gamut?

    It actually is very easy, even I can do it. You just have to get the basics down and the rest is easy. Oh, and having the right tools helps TREMENDOUSLY.
  3. Why the limited gamut?

    Shhhhhhhh! Don't let the secret out.
  4. Why the limited gamut?

    +1
  5. Why the limited gamut?

    Agreed.
  6. Why the limited gamut?

    It appears to me to be totally different. The sliders/curves window appear to be adjustments applied to the behavior of the overall media profile. The other window where you key in values 0-100% looks like the ink restriction and should be avoided unless you're building a new media profile from...
  7. Profiling Versaworks 4

    I'm comfortable dong ink restrictions with the ProfileMaker tools I have. But if VW will allow you read individual measurements, and allow you to choose density as the measurement mode, does it also allow you to choose LCH instead of density? If so, I've got a fool proof method to optimize the...
  8. Why the limited gamut?

    I'd attack those tone curves to balance the grey. At first don't sweat the colors, just focus on grey. The theory is if you get the grey "balanced" the rest will mostly fall in place. Remember that when you're judging your edits in greys to take the printed test into the lighting condition the...
  9. Why the limited gamut?

    You're right that it's wrong. ;) Those look to me like the Ink Restrictions. Here is the common process for building a complete media profile (one part of which is the ICC profile). 1. ink restrictions: how much ink goes down for 100% of each individual full color ink. Generally doesn't...
  10. Why the limited gamut?

    I jumped off the Onyx ship at 10. So your experience is more current than mine.
  11. Why the limited gamut?

    Nope, missed it. Aw shucks, thanks. Pretty simple 'eh. A blind person should be able to make a great profile. It's not magic, just measurements. Without a spectrophotometer it's magic. My only guess is they are ignorant of restricting based on Chroma (saturation). Like Bly says, current...
  12. Why the limited gamut?

    It didn't used to be this way, but now I love to see "I just adjust the ink limits in the RIP", "I print color swatch files and work from that", or my favorite "that profiling stuff is for tecno weenies who have too much time on their hands". To those who may doubt the value, please carry on...
  13. Why the limited gamut?

    +1 You can have obvious, if not big differences in color for different medias using solvent inks. The gamut differences between a matte banner and a high quality media like 3m 180 or Avery 1005 are significant. Direct UV systems not so much. Modern water based ink sets can have absolutely...
  14. What black do you use?

    I thought I'd posted this earlier. Hope it helps. http://pacificprintworks.com/category/file-preparation-tips/
  15. What is your black?

    http://pacificprintworks.com/category/file-preparation-tips/ Hope this helps.
  16. I don't know nothin about sailboats and also font help

    Go ahead and curve the luff of the jib. But attach the bottom corner to the bow. I'm a life long sailor that's raced on every coast and cruised half way around the world. I personally like the curved sail version that gives the feeling of pressure in the sails. To me the straight edge version...
  17. I don't know nothin about sailboats and also font help

    +1 on the "o" cover. The sails are generally correct but the front sail (jib) is usually a bit bigger than you have it and the aft sail (main) is a bit more narrow and it's base further back for most mainstream boats today. Also, the bottom front corner of the jib should look attached to the...
  18. A better profile?

    I can't claim to know the Roland Color Palette System to answer that well. I like to think of getting sell-able color being done one of 2 ways, forwards or backwards. Either you have "proper" color management with custom profiles and a common sense workflow (forward) or you print out charts of...
  19. A better profile?

    Aaaaaaand there we have it. The defining moment. No shame in being a simple sign shop that turns away fussy artist types. Trust me, they're not all that much fun to work with most of the time. Personally, I see the real benefits of having tight color in the shop. If I had to invest all over...
  20. A better profile?

    Looks like that one just does monitors. Yes it adds the Pantone thing. But that doesn't really provide much real day to day benefit. The core of what you need is the ability (and knowledge) to make a CMYK profile in your RIP. Don't sweat the monitor or fancy spot color tools. You're RIP will...
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