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Ooooh, they did a Halloween theme. I was referring to the new intro that they just recently uploaded showing all of their products and the manufacturing processes behind the scenes, but this is pretty cool.

It is nice to see their manufacturing processes first hand. They've always been kind of secretive about certain aspects and it's been about impossible to find videos and photos of their operations anywhere else online in the past.

I'd rather be on appears to be My Big Heart.

Welcome to the world of print and cut machines. The accuracy of a print and cut combo machine is bound to give you headaches on anything larger than 6 feet. It's simply not the best machine for the job. When we have to contour cut things over 6 feet long, we just outsource to Signs365 because...

We ordered a pre-engineered aluminum post and panel sign frame a while back for a local Community Center that was a customer installed job. The design proof I sent them showed the 96" x 36" sign mounted between two 4" x 4" x 1/8" x 9 foot aluminum posts buried 42" underground with 5' 6"...

We are in Central Illinois and the frost line in our region is 36", so we always go 42" to be safe.

I really like the snap frames from Alpina. https://www.fastchangeframes.com/?aws_campaign=SnapOpenPosterFrames&aws_medium=ppc&aws_source=google&aws_term=snapposterframes&aws_content=-&gclid=Cj0KCQjw_5rtBRDxARIsAJfxvYCplpuIVDI9L_8OHtIcfSB29uxevALAiTKHPoOFFCxfqsFxtv4ZYZUaAhgLEALw_wcB

That built-in cutter looks like a nice option.

This appears to be Interstate Black.

For the love of god, why would you torture your ears like that? I find the excessive reverb and the perpetual left and right panning annoying to say the least. I can honestly say I've never heard anything like it, which in this case is not a good thing.

It's the Rio Grande Railway logo, actually. However, you could use this font that's based on the logo. http://www.railfonts.com/cgi-bin/font_shop/fontshop.cgi?ACTION=enter&thispage=page8.html

I agree, you are most likely right on point. However, the truth is, we have no set pricing for mounting prints on customer supplied substrate so I pulled that number out of my arse based on how much I would charge to mount a print to our own substrate, which is probably still low but it keeps us...

I don't get that. I cut on the mat all day every day and don't have any problems laminating prints. We get light silvering that goes away within minutes and I never see any cut marks that show up on the laminate. We're using Orajet media and Oraguard laminates on a RollsRoller 280/145 Entry...

$256 for calendered with laminate, $208 without laminate. $296 for cast with laminate, $232 without laminate. We would charge an additional $12.50 to mount using an application table.

When the client's budget allows, we do two prints, one for the first surface and one for the second surface printed in reverse. I've never been a fan of double striking.

Have you seen any sign faces you've made with 3850 that are going on 8 or 9 years old? If so, how are they holding up?

We like Orajet 3850 w/ Oraguard 290 laminate.

Ignorance must be abound, as well.

I'm not selling plywood to our customers. I'm selling them banners. If they want to mount them to plywood between posts, that's their choice. I'm simply stating that the reason why people use plywood to back their banners is because it's an economical way to preserve the integrity of the banner...

That image is from a manufacturer's catalog that our site links to, not from our actual website. There's no "what the industry believes" about it. I'm simply stating a mere observation based on what I've seen the locals do around here. I don't install banners, nor do I suggest how the locals...